Dans quelle tonalité est « Desolation Row » de Bob Dylan ?

Cette tablature ukulélé est dans la tonalité de E Majeure.

Quelle est la tonalité la plus facile pour jouer « Desolation Row » de Bob Dylan au ukulélé ?

La tonalité la plus facile pour jouer « Desolation Row » au ukulélé est D Majeure. Transposez cette tablature de -2 demi-tons depuis la tonalité d'origine, E Majeure.

Quels accords de ukulélé utilise « Desolation Row » ?

Cette tablature utilise ces accords : E, A, B7.

« Desolation Row » est-elle une bonne chanson de ukulélé pour les débutants ?

UkeBuddy classe cet arrangement comme difficulté Intermédiaire pour le ukulélé.

Desolation Row de Bob Dylan • Accords de Ukulélé

Chansons Ukulélé›
Bob Dylan›
Desolation Row

Desolation Row accords
Bob Dylan

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Intro

^E ^E ^E ^E

Verset 1

^EThey're selling postcards of the hanging

They're ^Apainting the passports ^Ebrown

The ^B7beauty parlor is filled with sailors

^A The circus is in ^Etown

^EHere comes the blind commissioner

^AThey've got him in a ^Etrance

One ^B7hand is tied to the tightrope walker

^A The other is in his ^Epants

And the ^Ariot squad, they're restless

They ^Eneed somewhere to ^Ago

As ^Elady and I look ^B7out tonight from

^A Desolation ^ERow

Verset 2

^ECinderella, she seems so easy

It ^Atakes one to know one she ^Esmiles

I^Enside of a leather ^Acup

And ^B7puts her hands in her back pockets

^A Bette Davis style^E

And ^Ein comes Romeo, he's moaning

You ^Abelong to me I be^Elieve

And ^B7someone says you're in the wrong place my friend

^A You'd better le^Eave

And the ^Aonly sound that's left

^EAfter the ambulances ^Ago

Is ^ECinderella ^B7sweeping up on

^A Desolation ^ERow

Verset 3

Now the ^Emoon is almost hidden

The ^Astars are beginning to ^Ehide

The ^B7fortune telling lady

Has ^Aeven taken all her things in^Eside

All ex^Ecept for Cain and Abel

And the ^AHunchback of Notre-^EDame

^B7Everybody is making love

Or ^Aelse expecting ^Erain

And the ^AGood Samaritan, he's dressing

He's gettin' ^Eready for the ^Ashow

It ^Etakes one to know one she ^Asmiles

He's ^Egoing to the ^B7carnival tonight on

^A Desolation ^ERow

Verset 4

O^Ephelia, she's 'neath the window

For ^Aher I feel so a^Efraid

On her^B7 twenty-second birthday

She al^Aready is an old ^Emaid

To ^Eher, death is quite romantic

She ^Awears an iron ^Evest

Her ^B7profession's her religion

Her ^Asin is her lifeless^Eness

And ^Athough her eyes are fixed upon

And ^Efishermen hold ^Aflowers

^ENoah's great rain^Abow

She ^Espends her time ^B7peeking into

^ADesolation R^Eow

Verset 5

^EEinstein disguised as Robin Hood

With his ^Amemories in a ^Etrunk

^B7Passed this way an hour ago

With his ^Afriend a jealous ^Emonk

He ^Elooked so immaculately frightful

As he ^Abummed a cigar^Eette

Then he ^B7went off sniffing drainpipes

And re^Aciting the alpha^Ebet

And ^Ethen the kero^Asene

You ^Awould not think to look at him

But he was ^Efamous long a^Ago

For ^Eplaying the electric ^B7violin on

^ADesolation R^Eow

Verset 6

Dr. ^EFilth, he keeps his world

I^Anside of a leather ^Ecup

For ^Eplaying the electric ^B7violin on

But ^B7all his sexless patients

They're ^Atrying to blow it up ^E

Now his^E nurse, some local loser

She's in ^Acharge of the cyanide ^Ehole

And she ^B7also keeps the cards that read

Have ^Amercy on his ^Esoul

^AThey all play on the penny whistle

^EYou can hear them ^Ablow

If you ^Elean your head o^B7ut far enough from

^A Desolation ^ERow

Verset 7

Across the^E street they've nailed the curtains

They're gettin' ^Aready for the ^Efeast

The ^B7Phantom of the Opera

In a ^Aperfect image of a ^Epriest

Her ^Esin is her lifeless^Aness

They are ^Espoon feeding Casanova

To ^Aget him to feel more as^Esured

Then they'll ^B7kill him with self-confidence

After p^Aoisoning him with word^Es

And the ^APhantom's shouting to skinny girls

Get ^Eoutta here if you don't ^Aknow

Casa^Enova is just being ^B7punished for going

^ATo Desolation ^ERow

Verset 8

At mid^Enight all the agents

And the ^Asuperhuman ^Ecrew

Come ^B7out and round up everyone

That ^Aknows more than they ^Edo

^EThen they bring them to the factory

Where the ^Aheart attack ma^Echine

Is ^B7strapped across their shoulders

And ^Athen the kero^Esene

They are ^Espoon feeding Casanova

Is ^Abrought down from the castles

By in^Esurance men who ^Ago

Check to ^Esee that nobody is es^B7caping to

^ADesolation R^Eow

Verset 9

Praise ^Ebe to Nero's Neptune

The Ti^Atanic sails at ^Edawn

^B7Everybody's shouting

^AWhich side are you ^Eon

Yes I ^Eknow them, they're quite ^Alame

And E^Ezra Pound and T.S. Eliot

^AFighting in the captain's^E tower

While ^B7calypso singers laugh at them

And ^Afishermen hold ^Eflowers

Be^Atween the windows of the sea

Where ^Elovely mermaids ^Aflow

And ^Enobody has to ^B7think too much about

^A Desolation ^ERow

Instrumental

^E ^A ^E ^B7 ^A ^E ^A ^E ^B7 ^A ^E ^A

^E ^A ^E ^B7 ^A ^E

Verset 10

Yes I ^Ereceived your letter yesterday

About ^Athe time the door knob ^Ebroke

Now the ^Emoon is almost hidden

When you ^B7asked me how I was doing

Was ^Athat some kind of ^Ejoke

All these ^Epeople that you mention

Yes I ^Aknow them, they're quite ^Elame

I had to ^B7rearrange their faces

And give them ^Aall another na^Eme

^ARight now I can't read too good

Don't ^Esend me no more letters, ^Ano

^ENot unless you ^B7mail them from

^ADesolation R^Eow

Outro

^E ^A ^E ^B7 ^A ^E ^A ^E ^B7 ^A ^E ^A

^E ^A ^E ^B7 ^A ^E

L'arrangement d'accords illustré ci-dessus est le propre travail de l'auteur en tant qu'interprétation de la chanson, ainsi que le contenu interactif connexe. Ce travail ne peut être utilisé qu'à des fins éducatives.