What's Love Got to Do with It acordesTina Turner
★★★★★(0 votos)
0Introducción
G#m7 F# G#m7 F#
Verso 1
G#m7You must understand though the touch of your hand
Makes my puF#lse react
That it's G#m7only the thrill of boy meeting girl
OppositF#es attract
It's EphysiF#cal, only lEogicF#al
You must tEry to ignore that it mF#eans more than that
Coro
BWhat's lF#ove got to Edo, got to F#do with it
BWhat's lF#ove but a seEcond hand eF#motion
C#What's loG#ve got to dF#o, got to dG#o with it
BWhat's lF#ove got to dEo, got to doF# with it
BWho needs a hF#eart when a heEart can be brF#oken
Verso 2
G#m7It may seem to you that I'm acting confused
EWhat's lF#ove got to dBo, got to doF# with it
When you'reF# close to me
If I G#m7tend to look dazed I read it some place
I've got F#cause to be
There's a nEame for F#it
There's a pEhrase that fF#its
But whatEever the reason you F#do it for me
Coro
BWhat's F#love got toE do, got toF# do with it
BWhat's F#love but a sEecond hand F#emotion
BWhat's lF#ove got to dEo, got to doF# with it
F#What's loG#ve but a seC#cond hand eG#motion
BWho needs a hF#eart when a heEart can be brF#oken
Instrumental
C# G# F# G#
C# G# F# G#
F#Who needs a heaG#rt when a hC#eart can be brG#oken
C# G# F# G#
C# G# F#
Puente
BI've been taking on a C#new direction
There's a pEhrase that fF#its
BBut I have to sC#ay
AI've been thinking about my Bown protection
It sG#m7cares me to feel this way C#
Coro
C#What's loG#ve got to dF#o, got to dG#o with it
EWhat's F#love got toB do, got toF# do with it
C#What's loG#ve but a seF#cond hand eG#motion
C#What's loG#ve got to dF#o, got to dG#o with it
C#Who needs a heaG#rt when a hF#eart can be broken G#
Coro
C#What's loG#ve got to dF#o, got to dG#o with it
C#What's loG#ve but a F#sweet old-fashioned G#notion
G# C# F#
C#What's loG#ve got to dF#o, got to dG#o with it
C#Who needs a heaG#rt when a hF#eart can be brG#oken
Coro
C#What's loG#ve, F#(got to do ooh, G#got to do with it)
C#What's loG#ve but a F#second hand eG#motion
C#What's loG#ve got to dF#o, got to dG#o with it
C#Who needs a heaG#rt when a hF#eart can be brG#oken
BI've been taking on a C#new direction
C#What's loG#ve got to dF#o, got to dG#o with it
El arreglo mostrado a continuación es el trabajo del autor como interpretación de la canción, al igual que el contenido interactivo relacionado. Este trabajo solo puede ser utilizado con fines educativos.
